懂色帝

鈥淚nside every journalist is a novelist trying to escape.鈥�

So says award-winning columnist Linda Stasi (B.F.A. 鈥�70), who, after more than four decades writing for media outlets such as the New York Daily News, the New York Post, and Newsday, released her inner novelist, publishing The Sixth Station in 2013. She published her second novel, Book of Judas, in 2017. And in 2020, she became a full-time author, preparing to publish her third novel, Ruby鈥檚 Lips.

鈥淭he news business has changed so much since the pandemic lockdown; the New York Daily News didn鈥檛 even have a newsroom anymore,鈥� laments Stasi, who has also authored five nonfiction books and now teaches a class for women journalists who want to write novels. 鈥淚 loved the excitement of the newsroom, so if I would have to work at home alone, I鈥檇 rather travel the world.鈥�

Her travels have been partly pleasure, but also work鈥攕erving as both research and inspiration for her writing. The Sixth Station, for example, contains the recounting of her true experience of a trip she took with an elderly exorcist priest from the Vatican to a small monastery in the Italian Apennine mountains where the companions saw the Veil of Veronica. A religious thriller, the novel is named for the sixth Station of the Cross, where Veronica wipes the face of Jesus with the relic, which is said to bear the image of Jesus鈥� face as he carries his cross to Calvary.

During their visit, the priest became overwhelmed and fainted after viewing photos Stasi took of the relic. 鈥淚 thought he was dead and that I was going to have to drive him back to the Vatican like Weekend at Bernie鈥檚,鈥� Stasi says, laughing. To her relief, the priest regained consciousness by the next day, and the moment has a permanent record in her first novel, alongside other factual but fictionalized details of her travels around Italy.

As much as she loves the freedom of being an author, Stasi relished the rush and hustle of working in a newsroom, getting her first taste of that excitement while a student at New York Institute of Technology. Despite being an art major, 鈥淚 just wanted to write,鈥� she says. So, she began working at the student newspaper, the Campus Slate, eventually becoming the publication鈥檚 first female managing editor. After graduation, she landed her first professional job at Seventeen magazine.

Since that job, Stasi recognizes the turn her writing life has taken, though she has loved the entire progression. 鈥淛ournalism and writing fiction are two different worlds,鈥� she says. 鈥淏eing an author is a solitary job; you don鈥檛 have a newsroom editor yelling at you, saying your column is a bunch of crap. I wrote a column every day for the New York Daily News, and I had a really tough editor. I remember the times he would tell me, 鈥業t doesn鈥檛 stink,鈥� and I was so happy!鈥�

Stasi credits her college education to the success she has enjoyed throughout her career. 鈥湺�色帝 changed my life. They recognize creative brains, whether in engineering or in the arts,鈥� Stasi says. 鈥淭here was such a great mix of people鈥攅ngineering students who thought outside the box, art students who didn鈥檛 know there was a box, and business students who were learning to think outside the box. The things I learned about art and literature were so enlightening, and I will take that with me for the rest of my life.鈥�

By Ashley Festa